{"id":1834,"date":"2018-03-20T13:35:40","date_gmt":"2018-03-20T12:35:40","guid":{"rendered":"http:\/\/musiqueenchemin.fr\/?p=1834"},"modified":"2019-04-08T11:21:12","modified_gmt":"2019-04-08T10:21:12","slug":"chants-dorient-et-doccident","status":"publish","type":"post","link":"http:\/\/musiqueenchemin.fr\/index.php\/2018\/03\/20\/chants-dorient-et-doccident\/","title":{"rendered":"Chants d\u2019orient et d\u2019occident"},"content":{"rendered":"

Vendredi 27 juillet<\/span><\/h3>\n

20h30 | Concert \u00e0 la Coll\u00e9giale<\/h4>\n

Polyphonies de l\u2019Europe de la Renaissance & chant syriaque<\/h4>\n

Hymnes & Motets de Dufay, Vittoria, Palestrina, Guerrero,…
\nUn concert vocal \u00e0 la rencontre de deux mondes entre traditions orientales et occidentales<\/h4>\n

Ensemble La Main Harmonique, direction Fr\u00e9d\u00e9ric B\u00e9tous
\nSoumaya Hallak, chant
\nCh\u0153ur Ambr\u00f2sia & Saori Sato, orgue positif<\/h5>\n

To highlight the importance of the Coll\u00e9giale de La Romieu on the Camino de Santiago our concert evokes the journey of another Santiago – the son of Zebedee – through the hills of the Mediterranean. A vocal journey through oriental and western traditions. At the crossroads of two worlds. Renaissance polyphony performed by La Main Harmonique and the Choeur Ambr\u00f2sia and highly evocative improvisations of traditional Syrian songs performed by Soumaya Hallak. A breathtaking journey.<\/em><\/p>\n

\n

Les musiciens<\/h2>\n

Soumaya Hallak<\/span><\/h4>\n

\"\"<\/p>\n

Soumaya Hallak jeune soprano dramatique, \u00e9tudie le chant au conservatoire de sa ville natale, Gen\u00e8ve, puis \u00e0 Venise ensuite \u00e0 Bruxelles \u00e0 la Chapelle Musicale Reine Elisabeth et \u00e0 l\u2019op\u00e9ra Studio de l\u2019op\u00e9ra de Copenhague. Elle a travaill\u00e9 avec des personnalit\u00e9s telles que Jos\u00e9 Van Dam, Helmut Deutsch, Mikael Eliasen, Jocelyne Dienst, Waltraud Meier, Rachel Andrist, Felicity Palmer, Gabriel Garrido, Sandra Porter, Susanna Eken, Mikaela von Gegerfelt, Tom Krause et Udo Reinemann. Elle s’est produite dans le cadre de l’op\u00e9ra studio de Copenhague dans des r\u00f4les comme de Miss Jessel (Turn of the screw), La Mar\u00e9chale (Rosenkavalier) et La Sorci\u00e8re (H\u00e4nsel und Gretel). Par ailleurs, elle a particip\u00e9 \u00e0 de nombreux concerts pour jeunes solistes dans des lieux tels que la Fenice \u00e0 Venise, le Palais des Beaux-Arts de Charleroi, Flagey, le Th\u00e9atre Royal de la Monnaie \u00e0 Bruxelles et Tour et Taxis toujours \u00e0 Bruxelles.
\nElle fait ses d\u00e9buts \u00e0 Z\u00fcrich avec Agata dans Don Bucefalo d\u2019A. Cagnoni. Elle a chant\u00e9 sous la direction de chefs comme Paul Goodwin, Julian Reynolds, C.W. Green, Marc Soustrot, Walter Weller et Jean Paul Pruna.
\nElle a particip\u00e9 \u00e0 l\u2019adaptation pour le th\u00e9\u00e2tre de l’Oeuvre au Noir de M.Yourcenar mise en sc\u00e8ne de Christine Delmotte au th\u00e9\u00e2tre des Martyrs \u00e0 Bruxelles.
\nElle cr\u00e9e le duo VO’CELLO avec Suzanne Vermeyen, violoncelliste et le duo LUX VOCIS avec la mezzo-soprano Anne-Fleur Inizan. Les deux Chanteuses travaillent avec la pianiste Margot Welleman et le com\u00e9dien Pietro Pizzuti pour leur spectacle Passions:6.
\nElle se produit en r\u00e9cital avec les pianistes David Levi et Ouri Bronchti.
\nParmi ses projets, notons pour la saison prochaine, la prise de r\u00f4le Bianca dans la Trag\u00e9die Florentine de Zemlinski au TNB de Rennes mise en sc\u00e8ne d’Arthur Nauzyciel.<\/p>\n

\n

Ensemble La Main Harmonique<\/span><\/h4>\n

\"\"<\/p>\n

\u00a9 Thomas Millet<\/h6>\n

Emmen\u00e9 avec passion par Fr\u00e9d\u00e9ric B\u00e9tous, l\u2019ensemble La Main Harmonique entreprend l\u2019exploration des chefs-d\u2019\u0153uvre polyphoniques de la Renaissance, anim\u00e9 par l\u2019envie de partager les richesses d\u2019un r\u00e9pertoire musical encore peu repr\u00e9sent\u00e9 au concert et ancr\u00e9 dans le pr\u00e9sent par une activit\u00e9 de commande \u00e0 des compositeurs d\u2019aujourd\u2019hui, dans un esprit de d\u00e9couverte toujours renouvel\u00e9.<\/p>\n

\n

Ch\u0153ur Ambr\u00f2sia<\/span><\/h4>\n

\"\"<\/p>\n

Le Choeur Ambr\u00f2sia rassemble sous la direction de Fr\u00e9d\u00e9ric B\u00e9tous des chanteurs amateurs passionn\u00e9s souhaitant explorer le r\u00e9pertoire de la musique polyphonique de la Renaissance, mise en r\u00e9sonance avec les compositeurs d\u2019aujourd\u2019hui.<\/p>\n

Si Fr\u00e9d\u00e9ric B\u00e9tous conduit son ensemble professionnel La Main Harmonique \u00e0 se produire dans des lieux de renomm\u00e9e internationale \u2013 Festival de Saintes, Festival de La Chaise-Dieu, Muziekcentrum de Bijloke de Gand, Festival de Musique des Lumi\u00e8res de Sor\u00e8ze \u2013 il a souhait\u00e9 aussi partager sa passion et son savoir sous une forme plus p\u00e9dagogique et permettre ainsi \u00e0 des chanteurs amateurs de d\u00e9couvrir et partager ce r\u00e9pertoire.<\/p>\n

Autour de Fr\u00e9d\u00e9ric B\u00e9tous, sont ainsi regroup\u00e9s des passionn\u00e9s de musique, amateurs confirm\u00e9s engag\u00e9s dans un m\u00eame d\u00e9sir de d\u00e9couvrir ou perfectionner une pratique du chant polyphonique par un travail exigeant d\u2019interpr\u00e9tation des r\u00e9pertoires abord\u00e9s, et plus sp\u00e9cifiquement celui li\u00e9 \u00e0 l\u2019Europe de la Renaissance.<\/p>\n

Le Ch\u0153ur Ambr\u00f2sia se produit r\u00e9guli\u00e8rement au sein de la saison de Musique en Chemin, \u00e0 la Cath\u00e9drale de Lectoure, \u00e0 Escalquens, \u00e0 l\u2019occasion de rencontres chorales, etc\u2026 Soucieux de partager ce r\u00e9pertoire au plus grand nombre, le ch\u0153ur Ambr\u00f2sia aime aussi accompagner des visites musicales du patrimoine ou des balades \u00e0 la d\u00e9couverte des paysages de la r\u00e9gion o\u00f9 ils se retrouvent pour chanter : La Romieu et ses environs.<\/p>\n

\n

Saori Sato<\/span><\/h4>\n

\"\"<\/p>\n

\u00c0 l\u2019universit\u00e9 de sa ville natale, elle a men\u00e9 \u00e0 son terme un cycle d\u2019\u00e9tudes en piano et en composition, compl\u00e9t\u00e9 par une ma\u00eetrise en p\u00e9dagogie musicale. Durant l\u2019ann\u00e9e 2000 elle entreprend des \u00e9tudes d\u2019orgue et en 2003 elle \u00e9tudie au CESMD de Toulouse ou elle obtient, en 2005 un premier prix. Elle a obtenu les prix de solf\u00e8ge, \u00e9criture, basse continue et pianoforte au conservatoire de Toulouse. Elle collabore dans le cadre de festivals (Toulouse les Orgues, Sylvan\u00e8s, La Chaise Dieu, Sor\u00e8ze, St-Guilleme-le-D\u00e9sert, St-Maximin, St-C\u00e9r\u00e9, Eclats de Voix Auch, Toulouse d\u2019\u00e9t\u00e9…) avec les ensembles : l\u2019Orchestre et le ch\u0153ur du capitole de Toulouse, l\u2019Orchestre de Chambre de Toulouse, Le Jardin de musiques, Les Sacqueboutiers, Scandicus, Les El\u00e9ments, Il Canto d\u2019Arione, Ensemble Baroque de Toulouse, Ensemble Antiphona et Tokyo Bach Cantate Ensemble.<\/p>\n

\n

Les partenaires<\/h2>\n

\"\"<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

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