{"id":1113,"date":"2017-03-22T08:57:57","date_gmt":"2017-03-22T07:57:57","guid":{"rendered":"http:\/\/musiqueenchemin.fr\/?p=1113"},"modified":"2017-06-07T09:54:42","modified_gmt":"2017-06-07T08:54:42","slug":"le-mythe-de-lucrece","status":"publish","type":"post","link":"https:\/\/musiqueenchemin.fr\/index.php\/2017\/03\/22\/le-mythe-de-lucrece\/","title":{"rendered":"Le Mythe de Lucr\u00e8ce"},"content":{"rendered":"

\"\"<\/p>\n

Samedi 22 juillet \u00e0 19h<\/strong><\/h2>\n

Concert baroque \u00e0 la Coll\u00e9giale<\/h3>\n
\n

Ensemble Les Surprises<\/a>
\nEug\u00e9nie Lefebvre, soprano\u00a0; Juliette Guignard, viole de gambe ; Louis-No\u00ebl Bestion de Camboulas, clavecin<\/h4>\n

Cantates, partitas et sonates de Jean-S\u00e9bastien Bach, Arcangelo Corelli, Domenico & Alessandro Scarlatti<\/h4>\n
\n

Ce programme propose de plonger au c\u0153ur de la musique au d\u00e9but du XVIIIe<\/sup> si\u00e8cle, dans une Europe baroque enti\u00e8rement influenc\u00e9e par les ma\u00eetres italiens. En fil conducteur : le mythe de Lucr\u00e8ce, dame romaine qui, ayant \u00e9t\u00e9 viol\u00e9e, s’est tu\u00e9e de crainte d’\u00eatre accus\u00e9e d’adult\u00e8re (c’est \u00e0 la suite du viol de Lucr\u00e8ce que Rome serait pass\u00e9e de la monarchie \u00e0 la R\u00e9publique, en 509 av. J.-C.). Les sonates et partitas qui composent aussi le concert, repr\u00e9sentent bien l\u2019apog\u00e9e de la p\u00e9riode baroque, tant\u00f4t allegros virtuoses, tant\u00f4t adagios tendres et lyriques, tant\u00f4t mouvements de danses enlev\u00e9es.<\/p>\n

<\/br><\/p>\n

This programme takes us back to Europe in the early 18th century at a time when it was strongly influenced by the Italian masters. The Myth of Lucretia, a Roman woman who, having been raped, committed suicide out of fear of being accused of adultery. This selection is highly representative of the peak of the Baroque period and includes sonatas and partitas by some of the greatest masters of the time.<\/i><\/p>\n

\n

PROGRAMME<\/h4>\n

Cantate \u00ab Lucrezia \u00bb – Georg-Friedrich Haendel<\/h5>\n
Partita VI pour clavecin (extraits) – Johann-Sebastian Bach
\nToccata \u2028Allemande \u2028Corrente \u2028Sarabande<\/h5>\n
Sonate III pour viole de gambe et basse-continue – Arcangelo Corelli
\n(Adagio-Allegro-Adagio-Allegro)<\/h5>\n
Sonata K.132 – Domenico Scarlatti
\nCantate \u00ab Lucretia Romana \u00bb – Alessandro Scarlatti<\/h5>\n
\n

L’ensemble Les Surprises au grand complet !<\/h4>\n