{"id":1959,"date":"2018-03-23T15:17:29","date_gmt":"2018-03-23T14:17:29","guid":{"rendered":"http:\/\/musiqueenchemin.fr\/?p=1959"},"modified":"2018-03-29T14:05:44","modified_gmt":"2018-03-29T13:05:44","slug":"monteverdi","status":"publish","type":"post","link":"https:\/\/musiqueenchemin.fr\/index.php\/2018\/03\/23\/monteverdi\/","title":{"rendered":"Monteverdi"},"content":{"rendered":"

22 juin <\/span>|21h \u00e0 la cath\u00e9drale d\u2019Eauze <\/h3>\n

Concert La Main Harmonique, direction Fr\u00e9d\u00e9ric B\u00e9tous<\/h4>\n

Nadia Lavoyer, Canto
\nCaroline Bardot, Canto
\nFr\u00e9d\u00e9ric B\u00e9tous , Alto
\nGuillaume Gutierrez, Tenore,
\nMarc Busnel, Basso
\nEtienne Floutier, viole de gambe
\nUlrik Gaston Larsen, th\u00e9orbe<\/h5>\n
\n

Les musiciens<\/h2>\n

Ensemble La Main Harmonique<\/span><\/h4>\n

\"\"<\/p>\n

\u00a9 Thomas Millet<\/h6>\n

Emmen\u00e9 avec passion par Fr\u00e9d\u00e9ric B\u00e9tous, l\u2019ensemble La Main Harmonique entreprend l\u2019exploration des chefs-d\u2019\u0153uvre polyphoniques de la Renaissance, anim\u00e9 par l\u2019envie de partager les richesses d\u2019un r\u00e9pertoire musical encore peu repr\u00e9sent\u00e9 au concert et ancr\u00e9 dans le pr\u00e9sent par une activit\u00e9 de commande \u00e0 des compositeurs d\u2019aujourd\u2019hui, dans un esprit de d\u00e9couverte toujours renouvel\u00e9.<\/p>\n

\n

Madrigaux & Pi\u00e8ces instrumentales<\/h2>\n

Le madrigal est le genre vocal profane le plus important de la Renaissance italienne. Populaire quasiment tout le long du XVIe<\/sup> si\u00e8cle, il s’est prolong\u00e9 avec le m\u00eame succ\u00e8s jusqu’au premier tiers du XVIIe<\/sup> si\u00e8cle, servant ainsi de “laboratoire” (\u00e9tymologiquement le “lieu de travail”) aux compositeurs d’avant-garde. Il est donc tour \u00e0 tour l’une des formes musicales symbolisant l’id\u00e9al de la Renaissance, et le v\u00e9hicule par lequel s’est constitu\u00e9 le langage musical baroque. Les huit livres de madrigaux de Claudio Monteverdi manifestent \u00e0 eux seuls beaucoup d\u2019aspects de ce glissement entre “prima prattica” et “seconda prattica”, entre l\u2019esth\u00e9tique du monde de la Renaissance et celle du monde Baroque naissant.
\nLes derni\u00e8res ann\u00e9es du XVIe<\/sup> si\u00e8cle sont marqu\u00e9es par une grande diversit\u00e9 des styles au travers de compositeurs comme Andrea Gabrieli, Luca Marenzio, Carlo Gesualdo, Luzzasco Luzzaschi et Claudio Monteverdi notamment. Ce qui caract\u00e9rise le madrigal de cette \u00e9poque est avant tout une dimension th\u00e9\u00e2trale accrue.
\nA cette crois\u00e9e des chemins les pol\u00e9miques autour de la technique vocale et du r\u00f4le du chanteur sont vives. Caccini, dans sa pr\u00e9face du Nuove Musiche, explique que le chant doit se situer au niveau de l\u2019attitude, de la \u00ab leggiadria \u00bb (beaut\u00e9\/l\u00e9g\u00e8ret\u00e9) et de la \u00ab sprezzatura \u00bb (nonchalance – qui cache l’artifice) au service de l\u2019\u00e9loquence. C\u2019est \u00e0 l\u2019aune de ces t\u00e9moignages que les musiciens de La Main Harmonique s\u2019emploient \u00e0 rendre la fraicheur, la v\u00e9locit\u00e9, l\u2019ext\u00e9riorit\u00e9, et la fluidit\u00e9 du discours litt\u00e9raire et des lignes musicales.
\nTransposant avec g\u00e9nie l\u2019univers des passions en musique, Monteverdi dit lui-m\u00eame que la bonne musique doit avoir l\u2019\u00e9motion pour but. Le sentiment amoureux, sujet principal des madrigaux, est le berceau de ces “affetti”.<\/p>\n

\n

Le programme<\/h2>\n

Claudio Monteverdi<\/strong>
\nMagnificat \u2013 Selva morale e spirituale
\nLaudate Dominum
\nJubilet <\/p>\n

Alessandro Piccinini<\/strong>
\nToccata VI (instrumental)<\/p>\n

Claudio Monteverdi<\/strong>
\nCor mio mentre vi miro – Livre IV
\nO come sei gentile – Livre VII
\nOhime, se tanto amate – Livre IV
\nAl lume delle stelle \u2013 Livre VII
\nSi, ch’io vorrei morire \u2013 Livre IV
\nInterrotte speranze \u2013 Livre VII
\nSfogava con le stelle \u2013 Livre IV
\nLamento della Ninfa \u2013 Livre VIII<\/p>\n

Vincenzo Bonizzi<\/strong>
\nJouissance vous donneray (instrumental)<\/p>\n

Claudio Monteverdi<\/strong>
\nTu dormi – Livre VII
\nIo mi son giovinetta – Livre IV
\nSu su su pastorelli \u2013 Livre VIII
\nChi vol aver felice \u2013 Livre VIII\n<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

22 juin |21h \u00e0 la cath\u00e9drale d\u2019Eauze Concert La Main Harmonique, direction Fr\u00e9d\u00e9ric B\u00e9tous Nadia Lavoyer, Canto Caroline Bardot, Canto Fr\u00e9d\u00e9ric B\u00e9tous , Alto Guillaume Gutierrez, Tenore, Marc Busnel, Basso Etienne Floutier, viole de gambe Ulrik Gaston Larsen, th\u00e9orbe Les musiciens Ensemble La Main Harmonique \u00a9 Thomas Millet Emmen\u00e9 avec passion par Fr\u00e9d\u00e9ric B\u00e9tous, l\u2019ensemble […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cwp_meta_box_check":"No","cwp_rev_product_name":"","cwp_rev_product_image":"","wppr_links":[],"cwp_rev_price":"","wppr_options":[],"wppr_pros":[],"wppr_cons":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1959","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"wppr_data":{"cwp_meta_box_check":"No"},"yoast_head":"\nMonteverdi - 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